Holiday sang 'Strange Fruit' for him, and moved him to tears. When Holiday's producer John Hammond also refused to record it, she turned to her friend Milt Gabler, owner of the Commodore label. Holiday approached her recording label, Columbia, about the song, but the company feared reaction by record retailers in the South, as well as negative reaction from affiliates of its co-owned radio network, CBS. 'Strange Fruit' (1939) by Billie Holiday (0:16) During the musical introduction to the song, Holiday stood with her eyes closed, as if she were evoking a prayer. Because of the power of the song, Josephson drew up some rules: Holiday would close with it the waiters would stop all service in advance the room would be in darkness except for a spotlight on Holiday's face and there would be no encore.

She said that singing it made her fearful of retaliation but, because its imagery reminded her of her father, she continued to sing the piece, making it a regular part of her live performances. Holiday first performed the song at CafГ© Society in 1939. Other reports say that Robert Gordon, who was directing Holiday's show at CafГ© Society, heard the song at Madison Square Garden and introduced it to her. One version of events claims that Barney Josephson, the founder of CafГ© Society in Greenwich Village, New York's first integrated nightclub, heard the song and introduced it to Billie Holiday. Billie Holiday's performances and recordings Meeropol, his wife, and the Black vocalist Laura Duncan performed it at Madison Square Garden. First performed by Meeropol's wife and their friends in social contexts, his protest song gained a certain success in and around New York. Though Meeropol had asked others (notably Earl Robinson) to set his poems to music, he set 'Strange Fruit' to music himself. Meeropol published the poem under the title 'Bitter Fruit' in January 1937 in, a union magazine of the Teachers Union. In the poem, Meeropol expressed his horror at lynchings, inspired by Lawrence Beitler's photograph of the 1930 lynching of Thomas Shipp and Abram Smith in Marion, Indiana. 'Strange Fruit' originated as a poem written by the Jewish-American writer, teacher and songwriter Abel Meeropol, under his pseudonym Lewis Allan, as a protest against lynchings. Meeropol cited this photograph of the lynching of Thomas Shipp and Abram Smith, August 7, 1930, as inspiring his poem. ContentsДўД›illie Holiday's performances and recordingsДЈ Notable covers 4Дљwards and honors 5Дџiction 6Д›ibliography 7 References 8Дћxternal links Poem and song In 2002, 'Strange Fruit' was selected for preservation in the National Recording Registry by the Library of Congress as being 'culturally, historically or aesthetically significant'. It was also included in the 'Songs of the Century' list of the Recording Industry of America and the National Endowment for the Arts. Holiday's version was inducted into the Grammy Hall of Fame in 1978. Meeropol set his lyrics to music with his wife and the singer Laura Duncan and performed it as a protest song in New York City venues in the late 1930s, including Madison Square Garden. The song has been called 'a declaration' and 'the beginning of the civil rights movement'. Such lynchings had reached a peak in the Southern United States at the turn of the 20th century, and the great majority of victims were black. The song protests the lynching of Black Americans with lyrics that compare the victims to the fruit of trees. The lyrics were drawn from a poem by Meeropol published in 1937.

' Strange Fruit' is a song written and composed by Abel Meeropol and recorded by Billie Holiday in 1939. Genre Bluesjazz LengthД“:02 LabelДњommodore Strange FruitДЇor other uses, see Strange Fruit (disambiguation). Get strange fruit hanging from the poplar trees from EN Bilgi.

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